“I’m so thankful for the films I’ve played but they didn’t give me the range and opportunity to explore in this way,” Hemsworth says. “Spiderhead” was shot largely in sequence on a sound stage, and Hemsworth seems visibly liberated by the lack of constraints - costume or otherwise - of the production. Whatever that feeling is, I wanted the character to be in it and hopefully give a sense of: Which way is he going to turn next? What’s going to be the next reaction?” “I was trying to tap into that feeling when you’re about to break and you either laugh or cry, but you’re right on the tightrope. “There was sort of a nervous energy underneath it, bubbling away, even in the stiller moments,” Hemsworth says. In “Spiderhead,” Hemsworth uses the exactitude and charisma he normally leans on in more conventional leading-man performances for darker, manipulative purposes. He’s just really aware of the medium and how to use it effectively.” “He has this ability that I’ve seen in Tom (Cruise), as well, to really understand the frame and the lens and where to be in it. “There’s a precision to his physicality that really lends itself to this role,” the director adds. “In his performances, I always saw glimpses of a wide range of availabilities that maybe sometimes gets masked by the action films and his leading-man looks,” says Kosinski. Kosinski sent the script to Hemsworth hoping he’d respond to the role. ![]() He’s a little like the nicest Bond villain you’ve ever met. Steve Abnesti, who enthusiastically runs the facility with few rules and mysterious intentions. They greatly expanded the part played by Hemsworth, Dr. But screenwriters Rhett Reese and Paul Wernick developed the author’s 2010 story “Escape From Spiderhead,” a farcical yet moving first-person account of a prisoner (played by Miles Teller in the film) undergoing lab tests. Few have ever read a Saunders story and thought it would transfer seamlessly into a movie. Initially, we didn’t think it was possible.”Īside from pandemic factors, “Spiderhead” is uniquely improbable considering its source material. In this instance, due to my schedule, due to COVID restrictions and so on, it was compressed into a four-week period. “Normally, these films, you string them out over three or four months. “This was one of the most enjoyable experiences I’ve had,” Hemsworth said in a recent interview by video-conference from Australia. And there are more action movies (“Extraction 2”) on the way.īut without a fight scene or a special effect, “Spiderhead” may convey Hemsworth’s powers better than anything before it. ![]() Hemsworth, who recently began shooting George Miller’s “Furiosa,” returns as Thor again in next month’s “Thor: Love and Thunder,” a franchise that has gradually loosened to adapt to its star’s comic agility. But chief among its quirky pleasures is Hemsworth’s leading performance as the researcher who presides as a benevolent, ‘80s-yacht-rock-dancing tyrant over the Spiderhead Penitentiary and Research Center, cheerfully conducting experiments in which he drugs prisoners to chemically raise or lower their moods, appetites and verbal acuity.įor a performer who has only occasionally flashed his comic ability (hosting “Saturday Night Live,” as the secretary in “Ghostbusters”), Hemsworth’s deft balancing act in “Spiderhead” showcases a range well beyond the MCU. ![]() “Spiderhead,” which debuts Friday on Netflix, is in many ways the opposite of “Top Gun: Maverick” It’s a talky, interior film made during the pandemic that will be streaming in homes, not filling IMAX screens. “It was initially going to be the plane Tom Cruise did his work in,” Hemsworth jokes. The slow-moving, prop-engine plan was a far cry from the F-18 jets of Kosinski’s box-office smash. ![]() The film is set almost entirely in a remote concrete fortress jutting out over the sea, but it opens with the arrival of a seaplane that was flown by Hemsworth with Kosinski lying in the back. They were shooting “Spiderhead,” a science-fiction prison thriller based on a George Saunders story, along the coast of Australia. “Top Gun: Maverick” director Joseph Kosinski again had a plane in the air, only this time Chris Hemsworth was at the wheel.
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